Cantata BWV 1. 06 - Discussions Part 7. William Hoffman wrote (May 2. Cantata 1. 06: Funeral Music & Chorales. Bach's interrelated music of death - cantatas, motets, Passions, and other music - constitutes a major portion of his sacred music to the glory of God. Focusing on mourning and consolation, as Bach scholar Alec Robertson says, it is grounded in a wealth of chorales, motets and lyrical poetry, with related biblical passages, especially the Passion narrative and Psalms, as well as theological teachings. It ranges from the late 1. Mathew Passion, BWV 2. John Passion, BWV 2. Mark Passion, BWV 2. Bach's death music is all the more amazing since it continually embraces both joy and sorrow through affirmation, remembrance and grief; it essentially serves as non- liturgical music for special services and vespers; and it functions as transformation through parody and adaptation as the impulse to greater expression and for related uses. Der Herr der Erndte geht Und sammelt Garben Uns ein, uns ein, die starben! Der Herr bewahret die Seelen seiner Heiligen per coro, organo, fiati e timpani Belebt (sol maggiore) Organico: coro misto, organo, 2 trombe, 3 tromboni, basso tuba, timpani. Und die sind so derbe unterschiedlich bei uns beiden trotz Ost und West gewi. Ob diese Erinnerungen (erster Ku For example, his three extended funeral cantatas for his earthly rulers (BC B- 1. BWV 1. 98, and BWV 2. Passion oratorios for the Leipzig Good Friday vesper services. Other music of death related to Bach includes the Chaconne from the Violin Partita No. D Minor, BWV 1. 00. In addition is the recording of Joseph James' . Other music involves the memorial service of Christine Eberhardine, Saxon Princess, in 1. Cantata BWV 1. 98 and Prelude and Fugue in D Major, BWV 5. John Butt's recent reconstruction of the Leipzig Good Friday Vespers when Bach's Passion oratorios were presented. Cantata 1. 98 is the basis of music for All- Souls Day, November 1, with four plain chorales and a new text based on Gottsched's original by BGA editor Wilhelm Rust in the late 1. Mourning & Consolation Music. The following are the Cantatas for Funerals (and Memorial Services), as well as music that may have involved memorial services. They include earlier memorial works, BWV 1. BC B- 1. 9, BWV 1. BWV 2. 44a/BC B- 2. BWV 1. 57; and texts only, BWV Anh. The dates of BCW Discussion No. Cantatas. BWV 1. 50, Nach dir, Herr, verlanget mich, Penitential Service ? Funeral, 4/2/1. 71. BWV 1. 57, Ich lasse dich nicht, du segnest mich denn, Memorial, 2/6/1. Wende dich, Herr, und sei mir gnadig Joan Duffy [email protected] Dennoch bleibe ich stets an dir Die mit Tranen Saen. Der Herr Denket an uns (BWV 196) 2 vn, va, vc, cont. Der Herr Denket An uns (BWV 196) Dance of Death (Totentanz). Mein Gott, nimm die gerechte Seele; 6/5/1. BWV Anh. Ohr Trauerglockensecular, doubtful, 1. Motets. Of the four motets Bach composed in Leipzig and identified with funeral or memorial services, only one has been dated (BWV 2. BWV 2. 27 and 2. 28), and two with unknown occasions: BWV 2. Der Geist hilt unsrer Schwachheit auf (Funeral, Oct. BWV 2. 27, Jesu, meine, Freude (? Funeral 1. 72. 3)BWV 2. F. 1. 59, Ich Lasse Dich Nicht, Du Segnest Mich Denn, funeral or remembrance (1. BWV 1. 18, O Jesu Christ, meins Lebens Licht, Funeral (1. It was attributed to Bach's Leipzig predecessor, Johann Kuhnau, and now possibly to Italian musical models of Francesco Durante or Antonio Lotti, the latter who worked in the Dresden Court, 1. Passions. The five Passions referred to in Bach's Obituary probably involve a Weimar/Gotha oratorio Passion now lost, three authentic works, and the spurious St. Luke Passion performed in Leipzig. BC D- 1 Weimar/Gotha oratorio Passion, O Mensch, bewein dein S. Matthew, Kommt, ihr T. John, Herr, unser Herrscher, dessen Ruhm/ In allen Landen herrlich ist!
Luke (apochryphal): Furcht und Zittern, Scham und Schmwerzen (Fear and trembling, shame, and pain)BWV 2. St. Mark, Geh, Jesu, geh zu Deiner Pein! The Leipzig Service of Vespers for Good Friday (John Butt Reconstruction). Chorale Prelude Da Jesus an dem Kreuze stund', BWV 6. Chorale Prelude Christus, der uns selig macht (I), BWV 6. Chorale Prelude O Lamm Gottes unschuldig (I), BWV 6. Chorale Prelude Nun danket alle Gott, BWV 6. Johannes Cr. Schein: Chorale Gott sei uns gnadig und barmherzig J. H. Schein: Chorale Da Jesus an dem Kreuze Stund J. H. Schein: Chorale O Lamm Gottes unschuldig Children's funeral music. Cantata BWV 5. 3, Schlage doch, gewunschte Stunde, Funeral (c. They are found in the < de tempore> for Lent/Passiontide section preceding the Easter Season and in the < omnes tempore> section for Catechism Penitence and the general section following Christian Life and Conduct. The template for Bach chorale settings is found in various hymnbooks, primarily < Neu Leiziger Gesangbuch> of 1. Bach's two organ chorale prelude collections, the c. Neumeister, BWV 1. Weimar c. 1. 71. 4 Orgelb. DE TEMPORELent (Passiontide) (Suffering & Death of Jesus Christ) (7 OB set, 5 OB not set, 1 OB fragment)OB 2. BWV 6. 18 - O Lamm Gottes, unschuldig; BWV 4. PC), BWV 6. 56 (a)(1. BWV 1. 08. 5(MC), 1. NC), Emans 1. 52 (D); BWV 2. SBCB4. 4 (Z6. 28. BWV 6. 19 - Christe, du Lamm Gottes (Agnus Dei); BWV 2. EC)=BWV2. 45/4. 0a, BWV2. SBCB3. 9 (Z5. 8) 2. BWV 6. 20 - Christus, der uns selig macht; BWV 2. PC), BWV 2. 83=? BC D1(PC), SBCB4. Z5. 28. 3), BWV 7. MC), Emans 4. 6(MC)- D2. BWV 6. 21 - Da Jesus an dem Kreuze stund (Seven Last Words); BWV 1. PC), SBCB4. 6 (Z 1. Emans 4. 8(MC); = . BWV 6. 22 - O Mensch, bewein dein S. MC)- D; = Es sind doch selig alle. BWV 6. 23 - Wir danken dir, HJC, dass du f. O Jesu, wie ist dein Gestalt (Z8. BWV 1. 09. 4(NC)*OB 2. O Traurigkeit, o Herzeleid (fragment, Z1. BWV Anh. 2. 00frag.)*; BWV 4. PC)OB 3. 0. Allein nach dir, HJC, Verlanget mich (1 stanza) (Z8. NLGB 3. 60 Death & Dying, Batholom. Blume, Wolfenbuttel, G. Kallmeyer, 1. 92. OB 3. 1. Herzliebster Jesu, was hast du verbrochen; BWV 1. NC)*; BWV 2. 44/3,4. PC), BWV 2. 45/1. SBSC4. 8 (Z9. 83), Emans 1. PC)- DOB 3. 3. Nun gibt mein Jesus gute Nacht (3. So gibst du nun, mein Jesu, gute Nacht (Z8. BWV 4. 12(PC), 5. Good Friday Vespers (4 OB set above, 2 others)- - . BWV 6. 32 (Pentecost)- - . BWV 2. 47, SBCB5. Z1. 91. 5)- - ! Was vor Seelenweh, BWV 4. SG), BWV deest (Weimar 1. PC)- - O du Liebe, mein Leibe, BWV 4. SG) - - Selig, wer an Jesum denkt, BWV 4. SG)- - . 1. 1, 1. BWV 4. 22(PC) (Thanks)- - Werde munter, mein Gem. II 7. 1(MC)OMNES TEMPOREPenitence and amendment (Confession, Penitence & Justification) see also Lent (Passiontide)6. Walther); BWV 7. 14* (MC in NC)7. BWV 6. 37 - Durch Adams Fall ist ganz verderbt; BWV 7. KC); 1. 10. 1(NC), alt. BWV 6. 38 - Es ist das Heil uns kommen her; CC BWV 9(Tr. Friday Penitential Vespers: Vesper Psalms, 6, 3. BWV 6. 43 Allen Menschen (alio modo)1. Emans 7. 2- 7. 3)- -- .
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